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Search word : "Doubleday",   Search result : 4
[TREND / EXPORT CASE]

Jane Lawson, Publishing Director at Doubleday, Talks About Korean Literature

Export Case   Jane Lawson, Publishing Director at Doubleday,Talks About Korean Literature   2025.11.03   Just a decade ago, there was a prevailing belief that Korean literature could not be globalized because of linguistic and translational barriers. However, with the improvement of translation and global readers’ growing eagerness for a wider range of stories, Korean content began to draw closer to them. It eventually settled in as its own genre under the name “K-content,” now recognized worldwide. Korean literature, in particular, proved this trend with Han Kang’s Nobel Prize in Literature. Yet, many Korean works remain undiscovered internationally. At the “2025 Copyright Export Support Program,” organized by the Literature Translation Institute of Korea (LTI) this past September, we met Jane Lawson, publishing director at Doubleday, an imprint of Penguin Random House UK, and discussed Korean literature.   ...
  • VOL.88 / 2025.11
[TREND / TOPIC]

From the Margins to the Center: Korean Mystery Literature

Topic   From the Margins to the Center: Korean Mystery Literature   2023.08.07   Korean mystery literature originated in the unique conditions of the Japanese occupation. Introduced under the names of spy novels, detective stories, and detective novels, mystery literature was translated and adapted mainly from newspaper serials. A representative work is Arthur Conan Doyle’s Three Students, which Haemongsaeng adapted and published as Faithful Servent on Taeseomunyesinbo in 1918. Most of the works serialized in newspapers at the time were re-translations of works by Ruiko Kuriowa, a Japanese author of adapted novels. By the 1920s, adapted mystery novels moved out of newspapers and were published in magazines such as Hacksaengkye, Chungnyeon, and Dongmyung, and emphasized that they were intellectual works for readers with a certain level of reading ability, such as educated young adults and students.However, the writers who translated and wrote mystery literature w...
  • VOL.61 / 2023.08
[TREND / TOPIC]

Observing the Stature of K-Literature Through Foreign Literary Awards

Topic   Observing the Stature of K-Literature Through Foreign Literary Awards   2021.10.05   Korean literature was first introduced to foreign countries in the late 19th century. However, it wasn’t until after works of Korean literature started receiving literary awards abroad that they were translated and published full-scale in foreign countries, attracting foreign readers and grabbing the interest of major publishers and publishing agencies in foreign countries.Some awards have been given to works of Korean literature since the early 2000s, but ever since Please Look After Mom by Shin Kyung-Sook received the Man Asian Literary Prize, works of Korean literature have continuously been winning literary prizes, and the number of those prizes have been increasing as well. Since 2012, when Castella by Park Min-Gyu received the Japan Translation Award in 2015, and The Vegetarian by Han Gang was the winner of the Man Booker International Prize in 2016, interest in Korean li...
  • VOL.39 / 2021.10
[REPORT / COLUMN]

K-Thrillers lead Hallyu publications in Europe

K-Thrillers lead Hallyu publications in Europe   2018.06.28   As we are approaching the third quarter of this year, K-thrillers(Korean thrillers) are emerging as the new leading force in the world’s publishing market. And at the center of that whirlwind are authors like Jeong You-jeong, Kim Un-su and Seo Mi-ae. The attention on these authors - whose work can be summarized into three words: mystery, thriller, crime - has been heating up from global publishers. Not only has interest been burgeoning in Europe, especially English speaking countries there, but also in Asia. One point to note is that this interest from the global publishing market in Korean literature, especially K-thrillers, is not entirely new. Global publishers, especially those in English dominant countries, have consistently been drawn to titles in this genre. However, if that interest had not led to exports before, soft interest at home and a lack of sales marketing for these books were likely to blame. Wha...
  • VOL.10 / 2018.06
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