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Search word : "Culture",   Search result : 613
[TREND / BOOK TRIP]

Paju Book City

Paju Book City City of, for and by books   2019.10.07     There are cities that focus on creating things. Usually, in the case of these planned cities, all the businesses that provide the raw materials, packaging and shipping tend to be clustered together. Industrial zones tend to show this type of congregation as if they are sapped of romance and all the businesses simply exist for efficiency. However, the story becomes a little different if that industrial zone creates books.     Publishers that left the city   Its official name is Paju Publishing Culture Information National Industrial Zone. The name, already a mouthful, brings to mind the sound of engines, metal clanging and dust. It certainly cannot explain the entirety of what Paju Book City is. This is because the city of books has so many enticing characteristics, and it doesn't exist as a dreary space where everything focuses on production.It cannot be denied that Paju Book City was formed out of...
  • VOL.16 / 2019.10
[TREND / TOPIC]

South Korean web novels become a trend of their own

South Korean web novels become a trend of their own   2019.09.09   The web novel market in South Korea has been expanding at a breakneck pace, with readers drawn to their easy-to-read content. According to the Korea Creative Content Agency, the web novel market in South Korea was estimated to be around 10 billion won in 2013, and by 2017, it had expanded to 270 billion won. Last year, sales of web novels alone amounted to around 400 billion won. In line with this soaring popularity and growing market, there are now web novel authors who earn six-figures a year. In 2016, 8.2 percent of all web novelists were found to be earning more than 10 million won per year.   Web novels with unlimited versatility stand in the center of a new trend   The number of ways web novels can transform themselves is unlimited, and their influence is only growing through 'one source, multi-use' content. Adaptations of web novels into webtoons are also worth taking note of because aft...
  • VOL.15 / 2019.09
[INTERVIEW / KOREAN PUBLISHERS]

Creating a window into the future with books

Creating a window into the future with books   2020.02.03   There is a publisher that makes issue-driving books every October. It is Miraebook, with its series Trend Korea that predicts the next year trend in Korea based on the analysis of trends in the published year. Let’s take a look at Miraebook that plays a role as the window into the future, just as its name implies, and its publications.      Please introduce Miraebook to the webzine readers.   Established in 2000, Miraebook has been publishing books in various fields such as liberal arts, history, self-development, and essay, with its flagship books in economics and business administration. The name reflects the meaning that “a book is a window into the future.” The Trend Korea series has been steadily loved by readers as the representative work of us, being a bestseller every year since its first releas in 2009. It is chosen as the best trend analysis that precisely p...
  • VOL.19 / 2020.02
[INFORMATION / BOOK SUMMARY]

Export Prospects of Korean Books

Export Prospects of Korean Books KPIPA’s Choice for Supporting Abstract · Sample Translation   2019.11.04   Prince in Useless Land 1. Publication Details Imprint | GOBOOKY BOOKS Co. Ltd.Title | Prince in Useless LandAuthor | Kim Min JeongIllustrator | Lee Gap GyuGenre | Fairy taleFormat | 185×240Binding | PaperbackPages | 132pagesISBN | 9788966072026   2. Contact Name | Oh WonyoungPhone | +82-10-4050-2662Email | owy0209@naver.comURL | http://www.gobook2.com/main   3. Marketing Information Keyword | Children's story; teaching; educationTarget Readership | Children ages 9 to 12   4. About the Author and Illustrator Author - Kim Min JeongKim Min Jeong believes that what is really horrible aren't goblins or ghosts but boredom. During her childhood, when she faced the horror of boredom, she tried to get rid of it by taking a journey i...
  • VOL.17 / 2019.11
[REPORT / COLUMN]

Exports to Southeast Asia

Exports to Southeast Asia   2018.05.30       As publication business exchanges with China have declined exorbitantly over the past 18 months, South Korea's publishing industry has turned its eye towards Southeast Asia and exports to this region have been increasing as a result. Along with efforts to make up for the gap created by declining publishing trade with China, South Korean publishers seem to have come to the conclusion they must expand their territories to move in line with today's changes. Exchanges with those in the publishing industry in Southeast Asia began around 2005 and have been continued ever since. However, one thing that stands out between then and now is the fact that Korean publishers are now creating more diverse content in a number of areas and they are also making more aggressive moves to enter the market in Southeast Asia. On top of this, the 'traveling book fair' project that has been operated by KPIPA over the past several y...
  • VOL.9 / 2018.05
[NEWS / BOOK SUMMARY]

Export Prospects of Korean Books

Export Prospects of Korean Books KPIPA’s Choice for Supporting Abstract · Sample Translation   2017.11.01   Mr. Madang’s Happy Days 1. Publication Details Imprint | Wurinabi Publishing House Title | Mr. Madang’s Happy Days Author | Hong Yeon-sik Illustrator | Hong Yeon-sik Format | 150*210 Binding | Paperback Pages | 420pages ISBN | 979-11-86843-17-8   2. Contact Name | Rosa Han Phone | +82-70-8879-7093 Email | joerosa@hanmail.net URL | http://blog.naver.com/michel61   3. About the Author / Illustrator Hong Yeon-sik studied visual arts at Korea National University of Arts and made his debut as a graphic novel artist in the New Comics Writers Contest in 1992. Hong received the New Artists Award for Kiyora in 2001, and the best manhwa award from the Manhwa Today Contest forUncomfortably and Yet Happilyin 2012. Uncomfortably and Yet Happily has been translated and published into French, and the copyright for the English language version has be...
  • VOL.6 / 2017.11
[TOPIC / ISSUE]

The 2017 Guadalajara International Book Fair

The 2017 Guadalajara International Book Fair South Korea's Books Head to Mexico   2017.10.10   The biggest book fair in Central, South America     A massive range of South Korean books will be introduced at the 2017 Guadalajara International Book Fair taking place for nine days from Nov. 25 in Mexico. This book fair is the largest of its kind in Central and South America and has been considered as a comprehensive cultural festival by many. Every year, roughly 800,000 participants come to the fair, while last year it celebrated its 30th year with even more vibrant festivities. The publishing industry size of Mexico as well as Central and South America is still small compared to advanced countries, but its strong growth and possibilities have made the area attractive for those in the industry.   En Route to Guadalajara, the Center of Mexico's Culture   ⓒ https://twitter.com/FILGuadalajara    As it did last year,...
  • VOL.5 / 2017.10
[TREND / SPECIAL PROJECT]

K-Book in Berlin

K-Book in Berlin M&K's Monica Gu talks South Korean books   2019.09.09     It is rare for German publishers to release South Korean books.Considering this, the first exhibition for South Korean books in Germany, K-Book in Berlin embarked on a mission to spread the word about great South Korean books.     It's been three years since I came to Germany for personal reasons. As I run a publishing company in South Korea, I visit bookstores and libraries in Germany often in search of good ideas for publications. Naturally, I found myself seeking out South Korean books translated into German, and I found Han Kang's The Vegetarian (Changbi) and Jeong You-jeong's Seven Years of Darkness (Eunhaengnamu). The Literature Translation Institute of Korea played a huge role in getting these books to German readers, but usually it is rare for German publishers to publish South Korean books all on their own. Being aware of many excellent books in S...
  • VOL.15 / 2019.09
[NEWS / PUBLISHING INDUSTRY]

South Korea's Key Publishing Related Organizations

South Korea's Key Publishing Related Organizations   2017.11.01   In South Korea's publishing industry, there are many private organizations. Inside these organizations are members who work for competing businesses, but inside the groups they seek interests and order for the greater good. They also help pass on voices from inside the industry to a larger audience. The following are organizations key to South Korea's publishing industry linked to production, distribution, sales and research.   The most representative of publishers' groups would be the Korean Publishers Association, founded in 1947. Inside the group are all kinds of publishers, big and small. So far the association has worked towards creating an order for distribution within South Korea as well as resolving several issues related to the publishing environment. It has also been a driving force for projects aimed at developing the industry on a whole. The association has acted as a window for book deliveries...
  • VOL.6 / 2017.11
[TOPIC / TRENDS]

Characteristics of South Korean Web Novel Platforms and Ventures Overseas

Characteristics of South Korean Web Novel Platforms and Ventures Overseas From a Community Into a Medium:South Korea's Web Novel Platforms Evolve   2017.9.11   There is a Korean phrase that goes: pearls are only good when they have been strung together. It means even if you have good resources, they will be of little good if you don't use them properly. South Korean genre literature used to be like this. There were many talented authors who could write genre literature and fans who wished to read it, even if their numbers fell short of other countries where genre literature developed far sooner than South Korea like Japan, the United States and places in Europe. However, there was not a platform for them to converge together. There were many reasons why South Korean genre literature took so long in taking off but one of the biggest was the lack of a means of communication between authors and readers. Another was the absence of a platform on which authors could make serial po...
  • VOL.4 / 2017.09
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